DANIEL LIBESKIND Architecture is a virtual artwork that

DANIEL LIBESKIND ? "Architecture is a virtual artwork that needs to communicate something"

DANIEL LIBESKIND "Architecture is a language" Architecture is a language that communicates. Architecture is a language that links the people of this world together. Is the concept of Polish-American architect Daniel Libeskind, an architect with a design approach. Deconstruction. He is an architect who believes in creating "places" rather than creating. "Building" Libeskind Want to give the building he designed? Tells the story of the place rather than the identity of the designer. He believes in extreme architecture. He therefore believes architecture in his view. Need to reflect the complexity in every. The area we have In every close relationship we have. Libeskind's designs are mostly large buildings. The building will not be paralleled and will have a location from that location.

He paid attention to the use of different contradictions. Because it sparks new energy. And what I like is not the blur of what is focused on the truth. Anything that is sufficient To change even a very small area. He think the future will be able to convey sustainability. In the raw area Untouched area No matter what The temperature may be cool. Can refract our desires. It is not an area we are waiting for. Like a dog trained to the owner. But move forward in a guided direction. Other possibilities New experiences It was never part of any architectural language. What he believes is architecture is space, not fashion, not decoration. But it is the least cost. What can not be imitated? Can not simulate in another environment. In the air we live. It is the area we dream about. The area may be. It's not luxury for some of us. This is important to everyone in the world.

Libeskind won the Jewish Museum or Jewish Museum for the first time in his working life. His architect, the Jewish Museum, is a museum that tells the story of the loss. Which is still in the memory of Europeans. The work in the style of Libeskind Function is the last thing to be considered. His work conveyed the meaning. Balance the conflicts of historical past rape stories. All of the Jews. With the social and cultural scene in which each of the Jews was attacked and beaten to different places, the building was renovated and the original building. Colonial architecture. The shape of the building is distorted in a zig-zag fashion. It is shaped like the violence of the Jews in the past. The structure of the building is made of concrete, the outer surface is zinc metal. When looking at the building envelope and openings, it is like a wound that is beaten. Like a painful wound to the Jews. The museum is home to an old Baroque-style museum building (built in 1735). Daniel Libeskind designed his building to connect with an old building with an underground walkway. This building has no entrances from the entrance of the Jewish Museum. Have to go down the underground stairs. The building is full of narrow, empty passages and historical records of over two thousand Jews in Germany. The Holocaust Tower is empty, dark, and very high, with only light passing through a small hole. Libeskind used this room to communicate the 6 million Jews who died in the Holocaust Jewish Museum

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Libeskind created a work of faith in creating a space to tell the story of the place. It has a relationship with every area. He often shows architectural complexity in design. Libeskind says, "The world is complicated. Space is complex. Space is the thing that unfolds itself into the new world. It's amazing We can not reduce it to just plain. We often appreciate it. Our life is too complex. Our emotions are complex. Our intellect is complicated. I believe architecture in my view. Need to reflect the complexity in every. The area we have In every close relationship we have. “ So his basis or work is Perceptual reality is abstractionists whose art and character embody the contradiction which he himself saw as one of the governing characteristic of the spirit of his time. Libeskind believes that the architecture of the past was built for the power and money. He thought about changing the architecture to the public.

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