Creating visual resources Visual artefacts photographs and large

Creating visual resources Visual artefacts, photographs and large format originals

Content of this session Visual artefacts Types and characteristics of photographs Methods of capture Methods of providing access Special handling

Visual artefacts Huge category of visual materials paintings and drawings fabrics art objects technical drawings maps 3 -D objects

Croyland, Lincolnshire, John Sell Cotman

Bacchanal, Cecily Brown

Suffragette Banner, Women’s Library

A Cosy Couple, Amanda Francis

Technical drawing design

1930 map locating Painswick village inside folded printed change of address flier for Pyllis Barron and Dorothy Larcher

Spellman Music Covers Collection, Reading University

Types of photographs Wide range Prints Negatives (acetate, nitrate, glass plates, paper) Transparencies Slides Daguerreotypes and other special formats Digital originals

Dressmaking class 1936: preparation for dress parade

John Ruskin's Daguerreotype of a group of windows in the façade of the Casa degli Zane, Venice

Glass plate negative

35 mm B&W negative

Digital original

Characteristics of photographs Multiple versions possible Negative and the print and copy photography Colour and monotones – fidelity is vital May be fragile, dirty and even combustible May be flexible or rigid, mounted or in strips (e. g. albums, slides, negative strips) Will probably need special handling Will benefit from specialist equipment

Capture methods for visual artefacts and photo Digital Imaging digital cameras (as for manuscripts) Scanning flatbed scanners – primarily for prints and plates drum scanners – primarily for transparencies film scanners – specialist high end products slide scanners – slides and transparencies

Handling Every single interaction with a fragile original can compromise it Many of these may be hundreds of years old … … we want them to last for hundreds more years So special handling is crucial

Handling Conservation practice in human handling Heat levels – most critical due to build up Light levels Dust-free environment

Image Quality How do we know if it is good enough? Visual sharpness Laterally reversed images Dirt Skew Image completeness Guidance available from the RLG Publications by Franziska Frey (Rochester Institute of Technology)

Case Study: CVMA Corpus Vitrearum Medii Aevi – medieval stained glass The content is only renderable from photographs of the subject. Comprehensive database with high levels of descriptive metadata. Further additions will include maps and church plans linked to window images.

Specifications of CVMA Digitisation Source: 35 mm slides, medium & large format transparencies, photographic prints Scanning dpi: 35 mm – 2, 700 dpi Medium format – 1, 200 dpi Large format – 1, 000 dpi Print – 600 dpi All 24 -bit RGB colour File formats: TIFF master (uncompressed) JPEG for web Courtesy of CVMA Project, Courtauld Institute of Art

Case Study: Shetland Isles Museum Glass plate collection - >80, 000 items In-house scanning using flatbed scanners 600 dpi, 8 -bit greyscale specification Delivered on the web with the option to buy content. Online images are thus relatively small.

Large format originals Maps Drawings Technical drawings – engineering or architectural Very hard to scan – photographic surrogate is often the best method Accurately representing scale is difficult Representing this content online is difficult

Digitization options for 3 -D objects What do we mean by 3 -D objects? Anything! Sculpture Public monuments Machinery Archaeological artefacts Buildings Books

Digitization options for 3 -D objects What are the options? 2 -D photography in single shots 2 -D photography in multiple shots resultant images stitched into a 3 -D rendition using Quicktime Video Use of programs such as Macromedia Shockwave to create 3 -D Virtual Reality

A Cosy Couple, Amanda Francis, 2 -D photograph

Lewis and Clark magnetic compass 108 photographs stitched together Quicktime VR

The Tibetan and Himalayan Digital Library, University The Tibetan and of Virginia Himalayan Digital Library, University of Virginia

The Tibetan and Himalayan Digital Library, University of Virginia Panorama

Eternal Egypt Shockwave Eternal Egypt Project Shockwave