Conceptual Art John Baldessari I Will Not Make
Conceptual Art
John Baldessari. I Will Not Make Any More Boring Art. 1971 Mo. MA Learning Conceptual Art Theme
Language and Art Mo. MA Learning Conceptual Art Theme
Joseph Kosuth. One and Three Chairs. 1965. Mo. MA Learning Conceptual Art Theme
John Baldessari. I Will Not Make Any More Boring Art. 1971 Mo. MA Learning Conceptual Art Theme
Let’s compare each artist’s approach to making art. John Baldessari. I Will Not Make Any More Boring Art. 1971 Mo. MA What is Modern Art? Joseph Kosuth. One and Three Chairs. 1965.
“I think the wonderful irony about this piece is that it's text. But in fact it is a painting, because it's done with paint on canvas. So I'm really being very slyly ironic here in saying, ‘Well, this is what painting is. ’” – John Baldessari. What Is Painting. 1966– 68. Mo. MA Learning Conceptual Art Theme
Richard Serra. To Lift. 1967. Mo. MA Learning Conceptual Art Theme
Sol Le. Witt and Instruction-based Art Mo. MA Learning Conceptual Art Theme
“The idea becomes a machine that makes the art. ” – Sol Le. Witt. Untitled from Squares with a Different Line Direction in Each Half Square. 1971. Mo. MA Learning Conceptual Art Theme
Sol Le. Witt. Untitled from Squares with a Different Line Direction in Each Half Square. 1971. Mo. MA Learning Conceptual Art Theme
Outside the Museum Mo. MA Learning Conceptual Art Theme
• What are some of the locations where you typically encounter works of art? • What are the unexpected places where you have seen art? • How do your reactions to works of art differ in relation to where you encounter them? • Do you agree or disagree with Buren’s belief that context or location affects the interpretation of a work of art. Why or why not? Daniel Buren. D’une impression l’autre. 1983 Mo. MA Learning Conceptual Art Theme
Daniel Buren, Untitled (Wide White Space Gallery Announcements), 1969 -1974. Mo. MA Learning Conceptual Art Theme
“Why hang things on the wall when the wall itself is so much more a challenging medium? A simple cut or series of cuts acts as a powerful drawing device able to redefine spatial situations and structural components. ” – Gordon Matta-Clark. Bingo. 1974 Mo. MA Learning Conceptual Art Theme
Let’s compare each artist’s approach to making art. Joseph Kosuth. One and Three Chairs. 1965. Gordon Matta-Clark. Bingo. 1974 Mo. MA What is Modern Art?
Performance into Art Mo. MA Learning Conceptual Art Theme
Marina Abramović: The Artist Is Present. 2010 Mo. MA Learning Conceptual Art Theme
“I think a person who moves into an apartment and puts curtains on the window is also being an artist at that point, you know? There’s something that exists, and you’re trying to see what it would be like if it was another way. ” – Vito Acconci Mo. MA Learning Conceptual Art Theme
Carolee Schneemann. Up to and Including Her Limits. 1973– 76. Mo. MA Learning Conceptual Art Theme
- Slides: 20