CLAUDE MONET Studies in Light Most Pure Impressionist
- Slides: 25
CLAUDE MONET “Studies in Light” • Most “Pure Impressionist” • Worked en plein air • Short swift brushstrokes • Focus on light and color in nature • Painted scenes multiple times
Rouen Cathedral at Noon 1894 Rouen Cathedral at Sunset Rouen Cathedral in the Fog 1894
Houses of Parliament 1904 Houses of Parliament, London, Sun Breaking Through 1904
ÉDOUARD MANET “Academic with a Twist” • Linked between Realism (academic) and Impressionism • Dark palette • Focus on drawing/kept more solid forms • Used modern day scenes & nudes (vulgar? )
The Luncheon on the Grass 1863
A Bar at the Folies-Bergere 1882
Nana 1877
EDGAR DEGAS “The Art of Dancing” • Ballerinas, horse race scenes, theatre scenes, women • Used oil paint and pastels • Academic training=liked painting in his studio • Scenes are framed like a photograph (cut off forms) • Lost eyesight towards end of life=turned to sculpture to “feel” his art.
L’Orchestre de l’Opéra, around 1870 The Singer with the Glove, 1878
Stage Rehearsal, 1878– 1879
At the Races 1877 -1880
MARY CASSATT “American Woman (stay away from me-e)” • Only American Impressionist artist • Very close friends with Degas, learned much from him • Subject: women and children, womanly things • Soft, delicate brushstrokes, maintains solid forms • Admired Japanese art= simple lines, flat planes, patterned backgroungs
Woman in a Loge, 1879 Self-portrait, c. 1878
Woman in Black at the Opera 1878 -1880
Tea, 1880
The Child’s Bath, 1893
PIERRE-AUGUSTE RENOIT “Pretty, yes pretty!” • Luminous color and youthful Parisian leisure time • Shows the carefree spirit that is infecting Paris at this time • Focus is on people, instead on nature (Monet) • Very soft brushwork (captures movement)
Dance at Le moulin de la Galette, 1876
Dance in the Country, 1883 Girl With a Hoop, 1885
Bathers, 1918
CAMILLE PISSARRO “God, the Father” • Oldest and most prolific (all 8 shows) • Enjoyed landscapes and busy Paris street scenes • Younger artists looked to him for guidance/ inspiration • Used more natural (desaturated colors) • Focus on land/cityscapes, not so much the people
Landscape at Pontoise, 1874
The Woods at Marly, 1871
Boulevard Montmartre, 1897
- Salvatore quasimodo schema
- A quel courant artistique appartient claude monet
- Renoir
- Ent collège claude cornac
- Edoard manet
- Claude monet seascapes
- Monet london 1899
- Bouquet de tournesols claude monet
- Serie catedral de rouen
- Claude monet impresia
- Claude monet impresja wschód słońca
- Ent claude cornac
- Where was claude monet born
- Painting name
- Claude monet portret
- Claude monet snídaně v trávě
- Impressionist self portrait
- Impressionist music period
- Camille jacob pissarro
- Impressionist 1841-1919
- What came after post impressionism
- Light light light chapter 23
- Light light light chapter 22
- Chapter 22
- Paradigm shift from women studies to gender studies
- Pure spectrum of light