Claude Monet A Seascape Shipping by Moonlight Rembrandt

Claude Monet – A Seascape, Shipping by Moonlight

Rembrandt – Christ in the Storm on the Lake of Galilee

Hokusai – The Great Wave off Kanagawa

Pierre August Renoir – La Vague

Édouard Manet – Bateaux Abordant

Joos de Momper – Der Seesturm

Joseph Mallard William Turner – Off the Nore

Colour, Light and Contrast The painting is quite light in colour. The top part of the picture is Line, Shape and Space particularly light, with blues, light browns, whites and creams. There are no straight lines in this picture. Everything is vague, rough and bottom part is darker but still has lots of splashes of white lightening the sketchy, although it’s clear what each part is - the waves really look like darker greens, blues and browns. waves, for example. There are what look like scratch lines on the painting and if you look closely, you can see the marks where the paint has been Mood research My. My own White at the top of thethickly painting, light blues in thelayers. middle, greens and applied and inreaction overlapping The I found mood out is violent. that The ship lived isand from tilted 1775– 1851. to To one side He and painted everything this seemsof Ibrowns wasn’t sure about the painting at first. itbottom looked like a picture Neutral description below that, Turner with white brown atme the of the painting. to between bepainting moving. 1840 is. The and 1845 are and jagged andsea insweeping the in Center the. But sea fornow as British if. I’ve Art seain is nothing much –out alines blurry ship onkept the into. Yale asee storm. really The of focus soit’s difficult clear shapes. Itthe looks as brown the bottom closer the viewer. The painting isin split into threecorner mainseems parts: to thebesea, theto blue sky and the moving the USA. It’s thrashing. painted Iin think oil onif canvas. I’d The on Nore boat, isframe. a I’d sandbank have been at the quite looked closely at it, ship I think it’s It the almost looks like sea is if there’s sailing at sea infabulous. thebeen middle of the The the sea looks There isand a acontrast between greens, browns the white of the sea clouds. The sky forms a sort the of eye-shape in theand middle of the painting – point frightened. where It’s the also River powerful. Thames The meets sea the looks North exciting Sea, so and Turner impressive must have and moving, the lines are so lively – it feels more like a video than a painting. rough and takes up half of the painting, the sky takes up the other half where theimagine waves whip up. as. The everywhere thepainting picture –seem in you could the sail thewhite pupil. is. The corners ofinthe been impressive stood on how land when ship he is. Artist painted able to withstand it. There’s such atakes brilliant powerful forces – I it’s think that Turner has really captured the violence and movement of the but the sea spills up athe bit at the left-hand overzoomable some Subject & Title the clouds, inthe waves, onside the ship’s sails. rounded as the clouds and sea lower/rise almost to join each other. version ofsea it the at sea this and site: the https: //goo. gl/NFas 75 weather. and inspace. this painting. sky’s Joseph Mallard A storm William atsky sea during Turner the – Off day. the Nore