Choose 5 poems Choose 5 poems from the

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Choose 5 poems

Choose 5 poems

Choose 5 poems from the anthology that you have a lot to say about

Choose 5 poems from the anthology that you have a lot to say about Themes Ozymandias Exposure Kamikaze War Photographer Poppies Poetic devices Link them to a theme…. • • • • Power of Nature Physical Violence Psychological violence Conflict of war Death Loss Patriotism Memory Inner conflict Men Women Conflict in family Violence

Compare the ways poets present the power of time in ‘Tissue’ and one other

Compare the ways poets present the power of time in ‘Tissue’ and one other poem from ‘Power and Conflict’ Tissue Ozymandias Themes & Context • Contemporary • Transience of history – uncertainty of reality and the “truth” we tell Themes and Context • Romantic • Time defeats every Empire Language • Extended metaphor of paper for recording history but contrasting fragility and longevity of paper • Tissue – eventually we become paper? Mortality? Recorded in history • Free, flow form. =transcience Language • Monolith broken in the sand – irony of “Look on my works ye mighty and despair” • Sonnet form – permanent yet changing

Structuring a comparative response 1. Comparative introduction - compare themes and context and answer

Structuring a comparative response 1. Comparative introduction - compare themes and context and answer the question 2. Comparative PETAL x 2 with a strong focus on language – In Charge of the Light Brigade, Tennyson uses…. Whereas in in Exposure…. 3. Evaluative conclusion

Introduction Tissue is a challenging poem which defies neat and tidy explanation. This is

Introduction Tissue is a challenging poem which defies neat and tidy explanation. This is reflected in its free-flowing structure and elusive imagery. Dharker was born in Pakistan but raised in Glasgow and so has the insight that living between two cultures might bring. It is thus unsurprising that she represents history and our attempts to record time as a confusing “layer over layer” which “Shift[s]/ in the direction of the wind. ” She comments on both the surprising durability of history and ideas while also acknowledging its fragility and mutability. In contrast, Shelley writes his oft-quoted sonnet to Ozymandias at a point in history when George III was looking to expand the British Empire. At this point England was at the cusp of creating a mighty, world dominating Empire, confident in its military prowess. Thus, Shelley writes this warning to a nation intent on greatness: that even the greatest of Empires are subject to “the lone and level sands” - the decaying influence of time.

Comparative PETAL The power of time in Tissue is represented through the extended metaphor

Comparative PETAL The power of time in Tissue is represented through the extended metaphor of paper: “paper thinned by age or touching The kind you find in well-used books, The back of the Koran, where hand Has written the names and histories” Dharker begins her poems by listing the different ways in which we use paper to record history and she presents it as simultaneously fragile: “thinned by age” and enduring – “the Koran” representing an ancient and powerful text. A religious text is literally fragile but metaphorically powerful and enduring as it can form the basis for the beliefs and cultural realities of entire cultures and peoples. In contrast, Shelley uses the metaphor of a monolithic “vast and trunkless legs of stone” to represent the transience of human achievement. He exaggerates the enormity of the statue (“vast”) but also its brokenness: “on the sand, / Half sunk, a shattered visage lies” through the short, descriptive list. The sand represents “the sands of time” and the face of this great despot is little more than a ruin in a desert. Thus Shelley uses one of the most enduring substances imaginable to represent the transience of human endeavour while Dharker suggests that the very fragility and mutability of tissue which “let[s] the daylight break/ through capitals and monoliths” is what enables it to “thin” and thus endure.