Chapter 5 Sound Objectives n Use sound in

Chapter 5 -Sound

Objectives n Use sound in a multimedia project. n Use MIDI and understand its attributes, especially relative to digitized audio. n Calculate sampling sizes and considerations for digitized sound. n Record, process, and edit digital audio. n Determine which audio file formats are best for use in multimedia projects. n Manage audio files and integrate them into multimedia projects.

Overview n Introduction to sound. n Multimedia system sound. n Digital audio. n MIDI audio. n Audio file formats. n MIDI versus digital audio. n Adding sound to multimedia project. n Production tips.

Introduction to Sound n Vibrations in the air create waves of pressure that are perceived as sound. n Sound comprises the spoken word, voices, music and even noise. n Sound waves vary in sound pressure level (amplitude) and in frequency or pitch. n ‘Acoustics’ is the branch of physics that studies sound. n Sound pressure levels (loudness or volume) are measured in decibels (d. B). Something vibrates in the air Waves of pressure Ear drums will translate these changes in wave Forms as sound

Introduction to Sound n A pleasant sound has a regular wave pattern. The pattern is repeated over and over. n But the waves of noise are irregular. They do not have a repeated pattern.

Multimedia System Sound n System sounds are assigned to various system events such as startup and warnings, among others. n Macintosh provides several system sound options such as glass, indigo, laugh. n In Windows, available system sounds include start. wav, chimes. wav, and chord. wav. n Multimedia sound is either digitally recorded audio or MIDI (Musical Instrumental Digital Interface) music.

Characteristic of Sound Waves n Sound is described in terms of two characteristics: n Frequency (or pitch) n Amplitude (or loudness)

Frequency n Frequency is a measure of how many cycles occur in one second. This is measured in Hertz (abbreviation Hz) and directly corresponds to the pitch of a sound. n The more frequent vibration occurs the higher the pitch of the sound. Low pitch High pitch n Optimally, people can hear from 20 Hz to 20, 000 Hz (20 k. Hz) n Sounds below 20 Hz are infrasonic n sounds above 20 k. Hz are ultrasonic.

Amplitude n Amplitude is the maximum displacement of a wave from an equilibrium position. n The louder a sound, the more energy it has. This means loud sounds have a large amplitude. Quiet Loud Low amplitude High Amplitude n The amplitude relates to how loud a sound is.

Characteristic of Sound Waves Time for one cycle Amplitude distance along wavelength Cycle

Audio Recording Software MACINTOSH WINDOWS n Sound Recorders for Windows n Both Macintosh and Windows PC platform have the default sound. n This basic application could: n Record our own sounds n Edit & mix *. wav files n Simple Splicing and assembly n Increase volume & speed of *. wav files n Reverse the sound. n Add Echo effects n Some XP Version also provide wav to mp 3 conversion.

Basic Sound Recorder Sound conversion Basic Effects

Capture & Playback of Digital Audio Air pressure variations Convert s back into voltage Captured via microphone Analogue to Digital Converter ADC Signal is converted into binary (discrete form) 010100110101111 Air pressure variations Digital to Analogue Converter DAC

Recording Audio Files on the pc Uses either: i. Microphone n connect microphone to the microphone port and record using sound recorder

Recording Audio Files ii. CD-ROM Drive n Move music files from CD to hard drive or; n Play the cd and then record using the sound recorder. iii. Line-in n pressing play on the audio source, which is connected to the computer’s audio line-in socket. Record using the sound recorder. Line in port on the pc Audio cable

Analogue to Digital Audio Analogue audio n The name for an electronic signal that carries its information of sound as continuous fluctuating voltage value. n Stored in non digital tape or audio tape recording of sound. Digitizing n the process of converting an analog signal to a digital one. n A sound is recorded by making a measurement of the amplitude of the sound at regular intervals which are defined by the "sampling rate“ (frequent of sample point taken). n The process of taking the measurement is called "sampling" and each measurement is called a "sample point".

Digital Audio n Digital audio - data are stored in the form of samples point. n Samples represent the amplitude (or loudness) of sound at a discrete point in time. n Quality of digital recording depends on the sampling rate, the number of samples point taken per second (Hz). High Sampling Rate waveform Low Sampling Rate Samples stored in digital form

Digital Sampling 1 second

Digital Sampling

Digital Audio n There are three sampling frequencies most often used in multimedia are 44. 1 k. Hz, 22. 05 k. Hz and 11. 025 k. Hz. n The higher the sampling rate, the more the measurements are taken (better quality). n The lower the sampling rate, the lesser the measurements are taken (low quality). n The number of bits used to describe the amplitude of sound wave when sampled, determines the sample size. High Sampling Rate Low Sampling Rate

Digital Audio n Quality factors for digital audio file : 1. Sampling Rate 2. Sample Size (resolution) n the number of bits used to record the value of a sample in a digitized signal. Sampling Rate Sample size

Digital Audio n Other than that, it also depends on: n The quality of original audio source. n The quality of capture device & supporting hardware. n The characteristics used for capture. n The capability of the playback environment.

Digital Audio Crucial aspects of preparing digital audio files are: n Balancing the need for sound quality against available RAM and hard disk resource. n Setting appropriate recording levels to get a high-quality and clean recording.

Digital Audio n Audio resolution determines the accuracy with which sound can be digitized. n Size of a monophonic digital recording = sampling rate x (bit resolution/8) x 1. n Size of stereo recording = sampling rate x duration of recording in seconds x (bit resolution/8) x 2.

Digital Audio n Once a recording had been completed, it almost always needs to be edited. n Basic sound editing operations include trimming, splicing and assembly, volume adjustments and working on multiple tracks. n Additional available sound editing operations include format conversion, resampling or downsampling, fade-ins and fade-outs, equalization, time stretching, digital signal processing, and reversing sounds.

Digital Audio - Software n More advanced Digital audio editing software: n One of the most powerful and professional PC-based packages is a tool called Sound Forge http: //www. sonicfoundry. com/ n Others audio editing software: n COOL Edit Pro n Gold Wave n PROSONIQ Sonic. WORX n Samplitude Studio

MIDI Audio n Musical Instrument Digital Interface (MIDI) n Before there was a wide use of mp 3 and high bandwidth network, MIDI format audio is popular when an audio is required to be put on a website. n Provides a standard and efficient, means of conveying musical performance information as electronic data. n MIDI is a shorthand representation of music stored in numeric form. n It is in the form of music score and not samples or recording. It is not digitized sound. n Purposely for music n A sequencer software and sound synthesizer is required in order to create MIDI scores. n MIDI is device dependent.

MIDI Audio n Since they are small, MIDI files embedded in web pages load and play promptly. n Length of a MIDI file can be changed without affecting the pitch of the music or degrading audio quality. n Working with MIDI requires knowledge of music theory.

Recording MIDI Files n MIDI files can be generated: n by recording the MIDI data using MIDI instrument (electronic keyboard) as it is played. MIDI keyboard n by using a MIDI sequencer software application to record and edit (cut, paste, delete, insert). MIDI sequencer

Audio File Formats n MIDI n *. MID, *. KAR, *. MIDI, *. SMF n AUDIO DIGITAL n WINDOWS *. WAV n MACINTOSH *. AIFF n UNIX *. AU n REALAUDIO *. RA n MPEG 3 *. MP 3

MIDI Versus Digital Audio n MIDI is analogous to structured or vector graphics, while digitized audio is analogous to bitmapped images. n MIDI is device dependent while digitized audio is device independent. n MIDI files are much smaller than digitized audio. n MIDI files sound better than digital audio files when played on a high-quality MIDI device.

MIDI Versus Digital Audio n With MIDI, it is difficult to playback spoken dialog, while digitized audio can do so with ease. n MIDI does not have consistent playback quality while digital audio provides consistent playback quality. n One requires knowledge of music theory in order to run MIDI, while digital audio does not have this requirement.

Adding Sound to Multimedia Project n File formats compatible with multimedia authoring software being used along with delivery mediums, must be determined. n Sound playback capabilities offered by end user’s system must be studied.

Adding Sound to Multimedia Project n The type of sound, whether background music, special sound effects, or spoken dialog, must be decided. n Digital audio or MIDI data should be selected on the basis of the location and time of use.

Advantages & Disadvantages of Using Audio n Sound adds life to any multimedia application and plays important role in effective marketing presentations. n Advantages n Ensure important information is noticed. n Add interest. n Can communicate more directly than other media. n Disadvantages n Easily overused. n Requires special equipment for quality production. n Not as memorable as visual media.

Production Tips n Recording on inexpensive media rather than directly to disk prevents the hard disk from being overloaded with unnecessary data. n The equipment and standards used for the project must be in accordance with the requirements.

Production Tips n It is vital to maintain a high-quality database that stores the original sound material. n Sound and image synchronization must be tested at regular intervals.

Production Tips n The speed at which most animations and computer-based videos play, depends on the user’s CPU. n Sound’s RAM requirements as well as the users’ playback setup must be evaluated. n Copyrighted material should not be recorded or used without securing appropriate rights from owner or publisher.

Summary n Vibrations in air create waves of pressure that are perceived as sound. n Multimedia system sound is digitally recorded audio or MIDI (Musical Instrumental Digital Interface) music. n Digital audio data is the actual representation of a sound, stored in the form of samples.

Summary n MIDI is a shorthand representation of music stored in numeric form. n Digital audio provides consistent playback quality. n MIDI files are much smaller than digitized audio. n MIDI files sound better than digital audio files when played on high-quality MIDI device.