Chapter 23 Romantic Opera Italy Giuseppe Verdi 1813
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Chapter 23: Romantic Opera: Italy
Giuseppe Verdi (1813 -1901) • Most popular opera composer throughout Europe • His operas are performed more than any others • Early operas supported Italian nationalism – Promoted a united Italy • Dramas turned to domestic themes and personal conflict • Opera standards include: Rigoletto (1851), La traviata (1853), Il trovatore (1853), Aida (1871)
Verdi’s Dramaturgy and Musical Style • Conflict – personal or national – the root of every emotion • Clear expression of emotion • Emotional states almost melodramatic • Intense passion and nonstop action – Recitativo accompagnato: Orchestra accompanies the recitative; Smooth transitions between recitative and aria – Arias push singers to the utmost of their range – Bel canto style
La traviata (1853) • • “The Woman Gone Astray” Based on a story (Camille) by Alexandre Dumas Pits passionate love against middle-class morality “Un di felice” – Gala party at the end of the first act – Alfredo and Violetta sing to each other
La traviata, Act I, Scene 6 • A Scena – Slow aria (“Ah fors´è lui”) – Recitative accompagnata (“Follie!”) – Cabaletta (“Sempre libera”) • A fast-paced concluding aria • Virtuosity serves a dramatic purpose • Allows character to rush off stage
