Chapter 2 Part 1 b Formal Analysis Space

Chapter 2 Part 1 b / Formal Analysis

Space (Perspective) Drawing in perspective (1, 2, or 3 point)

Space (Perspective) One-point perspective

Space (Perspective) One-point perspective

Space (Perspective) One-point perspective Boca Raton Art Museam (BOCA)

Space (Perspective) Two-point perspective

Space (Perspective) One-point perspective Two-point perspective Three-point perspective

Space (perspectives) One-point perspective Two-point perspective Oblique perspective Isometric perspective

Space (Perspective) Two-point perspective

Space (Perspective) Richard Estes

Space Leonardo Da Vinci The Last Supper Fresco 1495 -1498 A wall of the Refectory, Santa Mariadelle Grazie, Milan, Italy

Space (single point perspective) Leonardo Da Vinci The Last Supper Fresco 1495 -1498 A wall of the Refectory, Santa Mariadelle Grazie, Milan, Italy

? Bishndas ? Babar Supervising the Layout of the Garden of Fidelity Manuscript painting, gouache and gold on paper Mughal, India c. 1590

Space (oblique perspective) Oblique Perspective Bishndas Isometric Perspective Babar Supervising the Layout of the Garden of Fidelity Manuscript painting, gouache and gold on paper Mughal, India c. 1590

Perception challenging Perspectives

Space (multipoint perspective) David Siqueiros Echo of a Scream Enamel on wood 1937 Georgio De. Chirico The Mystery and Melancholy of the Street Oil on canvas 1914

Prisons, p. XIII) Etching Giovanni c 1760 Piranesi Prisons, p. XIV Etching 1760

Giovanni Piranesi Prisons Etching c 1760 M. C. Escher Relativity Etching c. 1945

Constructivism Malevich 1878 - 1935 Suprematist Composition: White on White Kazimir Oil on canvas 1918

Dibbets Carl Andre II 2004 Jan

Dibbets Mangold I & I I Jan 2004

Dibbets Donald Judd I Jan 2004

Sylvia Mangold Shunnemunk Mountain Oil on canvas 1979

Example of Sylvia Mangold Shunnemunk Mountain Oil on canvas 1979 atmospheric perspective

Impressionism ? Color Example of Claude Monet Houses of Parliament Oil on canvas 1904 & ? Perspective

Space in Installation / Performance Ping Huang Yong documentation of recreation of spy plane, in sketches and photographs The Bat Project I Colored pencil 2001 The Bat Project I (Shenzhen) China The Bat Project II China 2002 2001

Space Jenny Holzer Untitled (Selected Writings) From ‘Truism: Inflammatory Essays. . . Guggenheim Museum, NYC, NY 1989 -90

Space (negative space) A hole can have as much shape-meaning as a solid mass. - Henry Moore Forma Squadrata con Taglio Stone Cubi XXVI Polished Stainless Steel 1965 1955

Shape and Space (positive / negative) Escher Day and Night, MC c. 1950

Shape and Space (positive / negative) Figure / Ground Reversal Escher Sky and Water MC Woodcut 1938

Contemporary Kara Walker Cut paper silhouettes and light projection 2004 c 1998 -

Contemporary Kara Walker Insurrection! (Our Tools Were Rudimentary, Yet We Pressed On) Cut paper silhouettes and light projection 2000

Time and Motion Time and motion in art can be one and the same. - Boccioni

Time and Motion (implied ) Eadweard Muybridge Galloping Horse Photograph 1878

Time and Motion (implied ) Tatiana Garmendia Body. Heart. Soul : Ibu Jumu 2002 Graphite and silver metal leaf, 5’ x 10’

Time and Motion (implied ) Marcel Duchamp Nude Descending a Staircase Oil on canvas 1912

Time and Motion (Implied) Futurism Umberto Boccioni Unique Forms of Continuity in Space Bronze 1913

Time and Motion (Implied) Futurism Alberto Giacometti Walking Man I Bronze 1959 -60

‘Mobiles’ showing actual Time and Motion I paint with shapes. -Alexander Calder Untitled Painted steel mobile 1972 Lobster Trap and Fish Tale Painted steel mobile 1939 Alexander Calder

Time and Motion - Traveler is in motino Hall of Cave 26 of Ajanta Matharashtra, India Ceiling of Cave 26 of Ajanta Matharashtra, India 700 CE Cave 26 - Reclining Buddha Matharashtra, India 700 CE

Chance / Improvisation / Spontaneity

Chance / Improvisation / Spontaneity - Performance & Installation Art Judy Pfaff Ziggurat Installation 1991

Interactive Installation work Lynn Hershman Deep Contact Computer-Video 1990

Chance / Improvisation / Spontaneity - Performance Art Joseph Beuys Ferro Ossidato, Shoes 1993 I Like America and America Likes Me, Performance 1993 Fox, felt, lard, multi media

Engaging Multiple Senses

Art Materials and Media Video Marilyn Minter

Roberta Smith, the art critic, once said that “Art is simply a form of light used to illuminate life. ” I think the most interesting artists make work that illuminates the times we live in. - Marilyn Minter Glazed Enamel paint on metal 2006 Stepping Up Marilyn Minter Enamel paint on metal 2006

Chance / Improvisation / Spontaneity Untitled From Woman of Allah Series. Photograph 1996 Speechless Shirin Neshat From Woman of Allah Series. Photograph 1996

Chance / Improvisation / Spontaneity - Performance Art Neshat Still from Passage Shirin Color video installation with sound Iran 2001

Cai Guo-Qiang "Black Rainbow, " proposal 2005 Explosion project for Valencia, Spain Date: May 1, 2005 herald the start of the Edinburgh Art Festival, one of the gatwillion festivals that seem to be going on over there in the east this month, the artist Cai Guo-Qiang (also the subject of an exhibition at the Fruitmarket Gallery) fired a reported 12, 000 ells into the sky above the castle, split into three salvos, exploding like anti-aircraft fire in sharp black clouds and carefully coordinated to produce a black rainbow hovering over the city centre.

Chance / Improvisation / Spontaneity - Performance Art Cai Guo-Qiang Black Rainbow : Explosion Project for Valencia, Spain 2005

Time and Motion Chance / Improvisation / Spontaneity - Performance Art Skubound UFO c. 2002 Transient. Rainbow MOMA New. York, NY 2002 Cai Guo-Qiang

Chance / Improvisation / Spontaneity - Performance Art Life Beneath the Shadow Gunpowder burn Cai Guo-Qiang Life Beneath the Shadow Tate performance and installation c 2004

Chance / Improvisation / Spontaneity - Performance Art The only stable thing is movement. - Jean Tinguely 1925 - 1991 Homage to New York: A Self-Constructing, Self-Destructing Work of Art Photographed Performance work Homage to New York (fragment) Painted metal 1960

Walter De Maria The Lightening Field 400 stainless steel poles, hts. + 20’ 7” (+ 1 sq mile) New Mexico 1971 -77

Continue to Chapter 2 Part 2 / Principles of Composition