Celebration Series 2 nd edition Piano Repertoire Album

Celebration Series, 2 nd edition, Piano Repertoire Album 7 (Ontario: Frederick Harris Music, 1994), 14 -15.

!! Celebration Series, 2 nd edition, Piano Repertoire Album 7 (Ontario: Frederick Harris Music, 1994), 14 -15.

!! !! Celebration Series, 2 nd edition, Piano Repertoire Album 7 (Ontario: Frederick Harris Music, 1994), 14 -15.

Firnkees, Gertrud. Entdeckungen. 14 kleine Stücke zur Einführung in moderne Klaviermusik. (Mainz: Schott Musik, 1995), 7.

Βιβλιογραφία Aldwell, Edward & Carl Schachter. Harmony and Voice Leading, 4 th ed. New York: Schirmer, 2010. Cadwallader, Allen & David Gagné. Analysis of Tonal Music: A Schenkerian Approach. 2 nd ed. Oxford: Oxford University Press, 2007. Caplin, William E. Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven. New York: Oxford University Press, 1998. Cone, Edward T. “The Pianist as Critic. ” In The Practice of Performance, ed. J. Rink, Cambridge: Cambridge University Press (1995), 241 -253. Cook, Nicholas. "Analysing Performance and Performing Analysis, " in Rethinking Music, ed. Nicholas Cook and Mark Everist (Oxford: Oxford University Press, 1999), 239 -61. Cook, Nicholas. "Between Process and Product: Music and/as Performance. " Music Theory Online 7, no. 2 (April 2001). Cook, Nicholas. “Performance analysis and Chopin's mazurkas. ” Musicæ scientiæ: The Journal of the European Society for the Cognitive Sciences of Music 11, no. 2(Fall 2007): 183 -207. Huron, David. Sweet Anticipation: Music and the Psychology of Expectation (Cambridge, MA: MIT Press, 2006). Laitz, Steven G. The Complete Musician, 2 nd ed. New York: Oxford University Press, 2008. Lester, Joel. "How Theorists Relate to Musicians. " Music Theory Online 4, no. 2 (1998). Lester, Joel. "Performance and Analysis: Interaction and Interpretation, " in The Practice of Performance: Studies in Musical Interpretation, ed. John Rink (Cambridge: Cambridge University Press, 1995), 197 -216. Riemann, Hugo. Handbuch der Harmonielehre. Leipzig: Breitkopf und Härtel, 1887; 3 rd ed. 1898; 5 th ed. Leipzig: Max Hesse, 1913? Rink, John. "Analysis and (or? ) Performance, " in Musical Performance: A Guide to Understanding. Cambridge: Cambridge University Press, 2002, 35 -58. Schenker, Heinrich. Neue musikalische Theorien und Phantasien. Vol. III: Der freie Satz. Vienna: Universal Edition, 1935. Ed. And trans. Ernst Oster as Free Composition. New York: Longman, 1979. Swanwick, Keith. A Basis for Music Education (London: Routledge, 1979). Swanwick, Keith. Teaching Musically (London: Routledge, 1999). Πέτρος Βούβαρης. Η θεωρία στο πιάνο, το πιάνο στη θεωρία. Πρότυπο Πειραματικό Σχολείο Πανεπιστημίου Θεσσαλονίκης, 30/3/2013