Casette by Autochrome Lumiere 1907 Marguerite esposa de
Casette by Autochrome Lumiere.
1907
Marguerite, esposa de Auguste Lumière. 1908
Provença. França. 1910
1910
Madeleine Koehler e Andrée Lumière 1910
Chromatic Biotechnology The concept aims at using a microscopic mosaic of potato starch colored in Orange, Green and Purple placed between the medium and a photosensitive black & white layer. During exposure, the medium facing the lens, the light goes through the medium and then is filtered by the colored mosaic before insolating the black & white photosensitive layer. After developing then inverting, the black & white layer allows the three-color mosaic to show through. The Auto. Chrome is released by the light that goes through it.
"The Raiders of the Impossible Gaze " This embryonic art gives birth to new color artists , eager to explore this new and looked-forward media, this virgin Art Technique. These adventurers, a little dazzled by this new media , conquer of true time, sighted, lived, felt, evoked, convened, caused, guest, programmed, without obstacles and limits , hungry for a moment of pleasure, of desire, of ecstasy and happiness.
Instant color or color of the instant? Since the dawn of times men have dreamed to materialize the visible. By carrying out this dream the Autochrome plates will untie the last bolts imposed on the language of the image. They constitute the final achievement of the evolution of vision. This new media, released from the constraints of the hand the line, released from frustrations of the black and white , will allow, beyond the representation of reality, to seize the fundamental problem of the representation of times. And if black and white photography , by throwing its black veil on the world, was regarded as freezing lost, spent, completed time Auto. Chrome color prolonged kept, transmitted, moments of life. When it becomes art, it is made art of color and light, Moment of Color and Light, Moment of Art.
1935 1907 History Polychrome Overview True artifacts of men and events, energy of the images from the First World War to the Hungarian traditional costumes, from the World Fair of Paris in 1910 to the receptions of the Danish Sovereigns.
Scientist Polychrome Overview The Autochrome plates supported major progress in terms of , scientific representation , in medicine and particularly in dermatology, in botany in reproductions of works of art, in exploration …
Documentary Polychrome Overview At the beginning of the XXth century the vision of the world is reserved to the explorers , the Auto. Chrome imagery made it possible for men to be see themselves, to show the diversity of the countries and the companies, particularly the funds Albert Kahn (files of planet 72. 000 images) and the purchasing orders of the Illustration in France and of the Geographic National magazine in the USA.
Relief Polychrome Overview In addition, the color of the life of the Autochrome plates makes it , possible to return virtually in the world of the 3 D to meet people, to apprehend the things and the events in real size.
1935 - 1907 Artistic Polychrome Overview
Commercial Polychrome Overview The color is determining in Commercial communication , the product is photographed to be shown and sold, it is the beginning the air of modern publicity. The most beautiful example is the exhibition of 2, 000 Autochrome plates at the French Taste Show of 1921, exposed on a steamer to present Luxury French Products around th world.
"Young Lady with an Umbrella; Wild-flowers" Louis Lumiere: 1907
Baron de Meyer, Flower study, 1908 Autochrome
Gullick family, c. 1909 William A. Gullick autochrome
http: //www. nationalmediamuseum. org. uk/autochro me/pdfs/Autochromes%20%20 Dawn%20 of%20 Colour%20 -%20 essay. pdf Anon, Couple with a motor car, c. 1910 Autochrome
Anon, Boy with a parasol, c. 1910 Autochrome
An Autochrome picture of three French ladies. Look how the colors are very light.
Mme. Antoine Lumiere and Granddaughter Louis Lumiere: circa 1915
Color photographs from World War I
North-African Soldiers cooking their meal in a village in Oise, France, 1917 (Autochrome color picture by Jean-Baptiste Tournassoud) This is one of the few real color photographs of the First World War: a group of Spahis, Algerian soldiers, who fought with the French on the European battlefields. This is a fascinating look into this war in color.
"Harvest Bounties": from an amatuer in England using Autochrome film. Mrs. G. A. Barton 1919
Light horseman gathering anemones, Palestine, 1918 A sergeant, of the Australian Light Horse, with long service stripes on his sleeve, denoting that he has served for 2 years, collecting anemones.
Fred Payne Clatworthy (U. S. , 1875 -1953 Navajo Men on Horseback Autochrome circa 1915, 5 x 7 inches
Zoller, Charles C. American (1854 -1934) Portrait of Charlie Chaplin color plate, screen (Autochrome) process
Zoller, Charles C. American (1854 -1934) Charlie Chaplin ca 1917 -1918
http: //en. wikipedia. org/wiki/Autochrome_Lumi%C 3%A 8 re http: //home. bway. net/jscruggs/auto. html ז'ורז'_מלייה http: //he. wikipedia. org/wiki/ לצפייה בסרטים הראשונים של האחים לומיאר http: //www. videoartworld. com/beta/artist_840. html http: //www. institut-lumiere. org/francais/films/1 seance/accueil. html : המאמר המון וקולנוע בפריס http: //www. amalnet. k 12. il/sites/commun/library/cinema/comi 0454. htm : אוטוכרום צלמים http: //users. pandora. be/autochromes/extras. htm http: //www. institut-lumiere. org/
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