Camera Shots Extreme long shotLong shot XLSLS Also
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Camera Shots Extreme long shot/Long shot (XLS/LS) • Also known as establishing shots in film. • Contains all of a persons body. • Shot from far away, it contains a large amount of landscape or surroundings and is often used to establish setting or surroundings.
http: //instagram. com/p/dwolqc. IVYV/
http: //www. redbubble. com/people/alexfrayne/works/10259987 -tram-stop
Camera Shots Full shot -or- Full body shot (FS) • A complete view of the person. • A little more intimate than the XLS or LS, it can show relationships between people and the setting.
http: //www. huffingtonpost. com/2013/04/20/photos-of-the-week_n_3122822. html
http: //500 px. com/photo/4000789
Camera Shots Mid shot (MS) • A shot from the waist up. • A social shot. • Allows you to see the subject’s face more clearly, as well as their emotions and interactions with others. • Good formal/informal portraits
http: //500 px. com/photo/59432672
Camera Shots Medium close-up (MCU) • From the shoulders up. • Personal shot. • A closer view of the subject’s face and emotions, but still involving a bit of background.
http: //www. huffingtonpost. com/2013/04/20/photos-of-the-week_n_3122822. html
Camera Shots Close-up (CU) • Just the face of a person. • Personal shot. • Allows you to see and understand the emotion of the subject. To feel empathy for them. • Good formal portraits
http: //www. huffingtonpost. com/2013/04/20/photos-of-the-week_n_3122822. html
Camera Shots Extreme close-up (XCU) • Contains one part of the subject’s face/other object. • Usually quite detailed. • Often creates an intense mood. • Provides an “interaction” between the subject and viewer due to the frame being filled with one thing.
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Camera Angles Bird’s eye angle • Looks directly down on a scene. • Let’s be realistic, very little use in photojournalism and very few opportunities to do this outside of a helicopter. High angle • Looking down on a subject. • Creates the impression that the subject is small or vulnerable. Eye-level angle • At eye-level. . . of course. • Creates an equal level relationship. Low angle • Looks up at the subject. • Creates the impression that the subject is powerful or strong. • Can be used to make the viewer feel small or http: //revision 4 gcses. wordpress. com/media-studies/cameravulnerable.
http: //www. bbc. co. uk/history/people/adolf_hitler http: //www. theguardian. com/world/picture/2013/aug/19/eyewitness-south-tyneside
Creating a story http: //journals. worldnomads. com/divvea/photo/43170/973128/India/Moromi-looks-out-of-the-torn-shards-of-a-tarpaulin-she-currently-lives-in -She
http: //annawu. com/blog/2011/09/focal-length-comparison/
http: //annawu. com/blog/2011/09/focal-length-comparison/
http: //jasonlow 08. wordpress. com/2010/06/17/understanding-aperture-depth-of-field/
Jeff Wall - After ‘Invisible Man’ by Ralph Ellison, the Prologue http: //www. mca. com. au/exhibition/jeff-wall-photographs/ Think about “Mise en Scene”. . .
References http: //www. skwirk. com. au/p-c_s-54_u-251_t-647_c-2411/camera-shots-angles-and-movement-lightingcinematography-and-mise-en-scene/nsw/camera-shots-angles-and-movement-lighting-cinematography-and-mise-enscene/skills-by-text-type-film/film-overview http: //ryanmillsa 2 blogspot. com. au/2010/09/camera-angles. html http: //revision 4 gcses. wordpress. com/media-studies/camera-anglesmovementshots/ http: //annawu. com/blog/2011/09/focal-length-comparison/ http: //instagram. com/p/dwolqc. IVYV/ http: //www. redbubble. com/people/alexfrayne/works/10259987 -tram-stop http: //www. huffingtonpost. com/2013/04/20/photos-of-the-week_n_3122822. html http: //500 px. com/photo/59432672 http: //500 px. com/photo/4264609 http: //500 px. com/photo/27558279 http: //www. bbc. co. uk/history/people/adolf_hitler http: //www. theguardian. com/world/picture/2013/aug/19/eyewitness-south-tyneside http: //jasonlow 08. wordpress. com/2010/06/17/understanding-aperture-depth-of-field/ http: //www. mca. com. au/exhibition/jeff-wall-photographs/
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