Camera Panasonic HMC150 Panasonic HMC150 The Panasonic AGHMC

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Camera Panasonic HMC-150

Camera Panasonic HMC-150

Panasonic HMC-150 The Panasonic AG-HMC 150 is a camcorder designed to record in high

Panasonic HMC-150 The Panasonic AG-HMC 150 is a camcorder designed to record in high definition on standard Secure Digital (SD) and SHDC memory cards. While SD-based camcorders have been gaining ground in the consumer market, the AG-HMC 150 has the ability to record AVCHD images at significantly higher bitrates. This enhancement makes the camera more efficient than comparable HD interframe codecs, such as HDV and XDCAM EX. Using H. 264 as its compression algorithm, the camera can record incredibly detailed images at a fraction of the file size.

Panasonic HMC-150 XLR INPUT For Microphones Focus Ring Zoom Controls Top Record Button

Panasonic HMC-150 XLR INPUT For Microphones Focus Ring Zoom Controls Top Record Button

Panasonic HMC-150 Scene Mode To play back footage Battery Release SD Card Slot Battery

Panasonic HMC-150 Scene Mode To play back footage Battery Release SD Card Slot Battery

Panasonic HMC-150 Menu button To adjust settings; DO NOT adjust unless you ask me.

Panasonic HMC-150 Menu button To adjust settings; DO NOT adjust unless you ask me. Scene Controls Used to play scenes Volume for headphones & speaker

Panasonic HMC-150 Focus Assist Lets you zoom in to check focus Focus Control Allows

Panasonic HMC-150 Focus Assist Lets you zoom in to check focus Focus Control Allows you to change from “manual” to “auto focus” ND Filter Limits the amount of light let into the lens Imagine a pair of sunglasses Iris Switch Gain Switch Adds artificial light to camera for dark areas White Balance Switch Allows you to preset two settings for different areas

Panasonic HMC-150 Zoom Control Allows you to change between manual and buttons LCD Screen

Panasonic HMC-150 Zoom Control Allows you to change between manual and buttons LCD Screen Microphone Volume Controls Ring Control Switch Allows you to change the ring to control the focus or the iris. Main Switch Change ALL functions to manual or Auto

Panasonic HMC-150 Microphone Controls INT= Internal Microphone Input 1=XLR 1 Input 2=XLR 2 Waveform

Panasonic HMC-150 Microphone Controls INT= Internal Microphone Input 1=XLR 1 Input 2=XLR 2 Waveform Monitor Zebra Controls Allows you to turn on and off your zebras

Panasonic HMC-150 LCD Screen Viewfinder

Panasonic HMC-150 LCD Screen Viewfinder

Panasonic HMC-150 Record Button Power Switch

Panasonic HMC-150 Record Button Power Switch

Tripods Manfrotto 501 HDV Head w/546 B 2 -Stage Aluminum Tripod System

Tripods Manfrotto 501 HDV Head w/546 B 2 -Stage Aluminum Tripod System

Manfrotto 501 HDV Head w/546 B 2 Stage Aluminum Tripod System Head Arm Legs

Manfrotto 501 HDV Head w/546 B 2 Stage Aluminum Tripod System Head Arm Legs

Manfrotto 501 HDV Head w/546 B 2 Stage Aluminum Tripod System Tilt Knob Allows

Manfrotto 501 HDV Head w/546 B 2 Stage Aluminum Tripod System Tilt Knob Allows you to lock the camera and head in place

Manfrotto 501 HDV Head w/546 B 2 Stage Aluminum Tripod System Arm Adjust Knob

Manfrotto 501 HDV Head w/546 B 2 Stage Aluminum Tripod System Arm Adjust Knob Tilt Friction Knob Allows you to adjust the reduce or increase the friction

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Audio in Video

Audio in Video

Important But Overlooked Sound can make or break a video Always consider using microphones

Important But Overlooked Sound can make or break a video Always consider using microphones whenever possible Most external microphones can be attached to your video camera through the microphone input Most cameras also have mounts for wireless receivers.

Microphones device that converts sound into electrical energy-which is an audio signal. Condenser (higher

Microphones device that converts sound into electrical energy-which is an audio signal. Condenser (higher quality; flat tone) Dynamic (cheaper, usually hardwire) Microphone pickup pattern – is the area of the environment from which the microphone receives sound waves

Proper Microphone Use Place the microphone 6 -8 inches from the source Hand held

Proper Microphone Use Place the microphone 6 -8 inches from the source Hand held mikes should be at chest level; unless noisy More noise = Bring Mic closer to your mouth

Audio Troubleshooting: Hand rustling Movement causes sound on tape Blowing can damage pickup surfaces

Audio Troubleshooting: Hand rustling Movement causes sound on tape Blowing can damage pickup surfaces and ruin it Jewelry or clothing avoid placing them near metal Chest thumping do not hit during filming Explosive voices use care in placing the mic in a close direct path with the lips of the speaker.

Microphone Pickup Patterns Omni-directional – picks up sound from all directions; great for environmental

Microphone Pickup Patterns Omni-directional – picks up sound from all directions; great for environmental sounds Unidirectional – narrow pickup radius such as on cameras. Cardioid - semi directional heart shaped pattern; good for narration.

Microphone Pickup Patterns

Microphone Pickup Patterns

Going Wireless - Hands Free Consists of two parts: MICROPHONE TRANSMITTER & A RECIEVER

Going Wireless - Hands Free Consists of two parts: MICROPHONE TRANSMITTER & A RECIEVER Consider: Hand held or lapel mike (Lavaliere) Dual Receiver

Wireless Pros vs. Cons Free of cables/cords Allows for farther distance from the camera

Wireless Pros vs. Cons Free of cables/cords Allows for farther distance from the camera source Need a direct line of sight Poor weather can cause problems High voltage downs your range Prefer controlled environments Cannot discriminate between signals

Microphones Sony UWP-V 6 Wireless Plug-in & Lavalier Microphone Package Azden SGM-1 X -

Microphones Sony UWP-V 6 Wireless Plug-in & Lavalier Microphone Package Azden SGM-1 X - Super-Cardioid Shotgun Condenser Microphone Electro-Voice RE 50/B - Omni-Directional Handheld Dynamic Shock Mounted ENG Microphone (Black) Samson Q 1 UCW - USB Handheld Microphone Shure SM 57 -LC Microphone

Sony UWP-V 6 Wireless Plug-in & Lavalier Microphone Package The Sony UWP-V 6 Wireless

Sony UWP-V 6 Wireless Plug-in & Lavalier Microphone Package The Sony UWP-V 6 Wireless Plug-In ENG Microphone System replaces its UWP-C series predecessor with enhancements that include a rugged, all-metal chassis and Mic/Line switchable input at the transmitter. The camera-mountable receiver features space-diversity technology which stabilizes reception and minimizes RF interference by selecting the strongest incoming signal. In addition the antennas swivel so that you can achieve even stronger reception. A stereo mini-jack output with monitor volume control is featured and both stereo, mini and XLR cables are provided. An LCD display provides channel & frequency information, battery life, RF-input level, audio-output status and accumulated operating time. The receiver operates on 2 -AA batteries for up to 8 hours and its compact design and included shoe-mount adapter allows easy mounting to most camcorders. The improved plug-in and body pack transmitters features a mic and linelevel switch for standard wired microphones line-level sources. Operates for up to 8 hours on two-AA size alkaline batteries. The transmitter features a comprehensive LCD display.

Azden SGM-1 X - Super-Cardioid Shotgun Condenser Microphone The SGM-1 X is a supercardioid

Azden SGM-1 X - Super-Cardioid Shotgun Condenser Microphone The SGM-1 X is a supercardioid shotgun microphone which features an 11. 8" barrel with low impedance and XLR output. It's low self noise (of -65 db), wide bandwidth, switchable lowcut and integrated shockmount make this mike an excellent value. 1 "AAA" battery gives you approximately 800 of operation time, so you can get the job done without the worry of additional power supplies!

Electro-Voice RE 50/B - Omni-Directional Handheld Dynamic ENG Microphone (Black) Designed specifically as an

Electro-Voice RE 50/B - Omni-Directional Handheld Dynamic ENG Microphone (Black) Designed specifically as an ENG/EFP interview microphone. Every day, for local, national and international news reports, the RE 50 B gathers the audio for news interviews. The RE 50 B's custom "mic-within-a-mic" shock mount provides extremely low handling noise for superior sound. A large, built-in Acoustifoam filter keeps wind and P-pop noise to an absolute minimum, indoors or out. Frequency response is 80 Hz-13 k. Hz.

Samson Q 1 UCW - USB Handheld Microphone The Samson Q 1 UCW is

Samson Q 1 UCW - USB Handheld Microphone The Samson Q 1 UCW is an affordable, handheld USB microphone for plug-and-play operation with Windows and Mac based computers. The C 1 UCW utilizes a dynamic, neodymium element for maximum detail and quality without external power. The USB port provides audio directly to computers without additional hardware and power is supplied from the computer USB port. USB Connection The USB port provides audio directly to computers without additional hardware and power is supplied from the computer USB port.

Shure SM 57 -LC Microphone The Shure SM 57 -LC Microphone unidirectional dynamic microphone,

Shure SM 57 -LC Microphone The Shure SM 57 -LC Microphone unidirectional dynamic microphone, a true professional workhorse used in many applications including the USA's presidential podium for over 3 decades, is an exceptional choice for musical instrument pickup or for vocals. With its bright, clean sound and carefully contoured presence rise, the SM 57 -LC is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise.