Cai GuoQiang Footprints of History Fireworks for the

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Cai Guo-Qiang. Footprints of History: Fireworks for the Opening Ceremonies of the 2008 Beijing

Cai Guo-Qiang. Footprints of History: Fireworks for the Opening Ceremonies of the 2008 Beijing Olympic Games. 2008. © Cai Studio. [Fig. 1 -1]

Herzog & de Meuron. The Bird’s Nest—Beijing National Stadium. 2004– 2008. © Xiaoyang Liu/Corbis.

Herzog & de Meuron. The Bird’s Nest—Beijing National Stadium. 2004– 2008. © Xiaoyang Liu/Corbis. [Fig. 1 -2]

Zhang Hongtu. Bird’s Nest, in the Style of Cubism. Oil on canvas. 36 ×

Zhang Hongtu. Bird’s Nest, in the Style of Cubism. Oil on canvas. 36 × 48 in. © Zhong Hongtu Studio. [Fig. 1 -3]

Georges Braque. Soda. 1912. Oil on canvas. 14 -1/4 in. diameter. Digital Image ©

Georges Braque. Soda. 1912. Oil on canvas. 14 -1/4 in. diameter. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. Acquired through the Lillie P. Bliss Bequest. The Museum of Modern Art, New York, NY, U. S. A. [Fig. 1 -4]

Yayoi Kusama. You Who Are Getting Obliterated in the Dancing Swarm of Fireflies. 2005.

Yayoi Kusama. You Who Are Getting Obliterated in the Dancing Swarm of Fireflies. 2005. Mixed Media. The Phoenix Museum of Art, Phoenix, Arizona. Museum purchase with funds provided by Jan and Howard Hendler (2005. 146). Photo by Ken Howie. Courtesy Yayoi Kusama Studio, Inc. [Fig. 1 -5]

John Ahearn and Rigoberto Torres. Pat. 1982. Painted cast plaster. 28 -1/2 × 16

John Ahearn and Rigoberto Torres. Pat. 1982. Painted cast plaster. 28 -1/2 × 16 -1/2 × 11 in. Courtesy Alexander and Bonin, New York. Collection Norma and William Roth, Winterhaven, Florida. Photo Courtesy of Sotheby's. [Fig. 1 -6]

Nan Goldin. Cookie at Tin Pan Alley, New York City 1983, from the multimedia

Nan Goldin. Cookie at Tin Pan Alley, New York City 1983, from the multimedia installation, The Ballad of Sexual Dependency. 1983. Cibachrome print. 30 × 40 in. Courtesy of Nan Goldin and Matthew Marks Gallery, New York. © 2006 Nan Goldin, courtesy of Matthew Marks Gallery, New York. [Fig. 1 -7]

Attributed to Manohar. Jahangir in Darbar. Mughal period, India, about 1620. Opaque watercolor and

Attributed to Manohar. Jahangir in Darbar. Mughal period, India, about 1620. Opaque watercolor and gold on paper. 13 -3/4 × 7 -7/8 in. Museum of Fine Arts, Boston. Francis Bartlett Donation of 1912 and Picture Fund. 14. 654. Photograph © 2012 Museum of Fine Arts, Boston. [Fig. 1 -8]

Claude Monet. Le Pont de l’Europe, Gare Saint-Lazare. 1877. Oil on canvas. 25 -1/4

Claude Monet. Le Pont de l’Europe, Gare Saint-Lazare. 1877. Oil on canvas. 25 -1/4 × 31 -7/8 in. Giraudon/Art Resource, NY. [Fig. 1 -9]

Kane Kwei (Teshi tribe, Ghana, Africa). Coffin Orange, in the Shape of a Cocoa

Kane Kwei (Teshi tribe, Ghana, Africa). Coffin Orange, in the Shape of a Cocoa Pod. c. 1970. Polychrome wood. 34 × 105 -1/2 × 24 in. Fine Arts Museums of San Francisco, Gift of Vivian Burns, Inc. , 74. 8. [Fig. 1 -10]

Karaori kimono. Middle Edo Period, Japan, c. 1700. Brocaded silk. length 60 in. Tokyo

Karaori kimono. Middle Edo Period, Japan, c. 1700. Brocaded silk. length 60 in. Tokyo National Museum, Japan. [Fig. 1 -11]

Renzo Piano. Jean-Marie Tjibaou Cultural Center, Nouméa, New Caledonia. 1991– 1998. Nr. RP 2

Renzo Piano. Jean-Marie Tjibaou Cultural Center, Nouméa, New Caledonia. 1991– 1998. Nr. RP 2 -8 Centre Tjibaou, New Caledonia. © Hans Schlupp/archenova. Architect/Designer: Renzo Piano Building Workshop. [Fig. 1 -12]

Pablo Picasso. Seated Bather (La Baigneuse). 1930. Oil on canvas. 64 -1/4 × 51

Pablo Picasso. Seated Bather (La Baigneuse). 1930. Oil on canvas. 64 -1/4 × 51 in. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. © 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Mrs. Simon Guggenheim Fund. The Museum of Modern Art, New York, NY, U. S. A. [Fig. 1 -13]

Kongo (Muserongo). Female Figure (nkisi nkonde). Zaire, late 19 th century. Wood, iron nails,

Kongo (Muserongo). Female Figure (nkisi nkonde). Zaire, late 19 th century. Wood, iron nails, glass, resin. height 20 in. The Stanley Collection, The University of Iowa Museum of Art, Iowa City, IA X 1986. 573. [Fig. 1 -14]

Pablo Picasso. Study for Les Demoiselles d’Avignon. Head of the Squatting Demoiselle. 1907. Gouache

Pablo Picasso. Study for Les Demoiselles d’Avignon. Head of the Squatting Demoiselle. 1907. Gouache and Indian ink on paper. 24 -3/4 × 18 -7/8 in. Réunion des Musées Nationaux / Art Resource, NY. © 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. [Fig. 1 -16]

Pablo Picasso. Les Demoiselles d’Avignon. 1907. Oil on canvas. 8 ft. × 7 ft.

Pablo Picasso. Les Demoiselles d’Avignon. 1907. Oil on canvas. 8 ft. × 7 ft. 8 in. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY. © 2012 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. Acquired through the Lillie P. Bliss Bequest. The Museum of Modern Art, New York, NY, U. S. A. [Fig. 1 -17]

Tania Bruguera. Displacement, embodying a Nkisi Nkonde icon, 1998– 99. Cuban earth, glue, wood,

Tania Bruguera. Displacement, embodying a Nkisi Nkonde icon, 1998– 99. Cuban earth, glue, wood, nails / textile. Dimensions variable. Courtesy of Studio Bruguera. [Fig. 1 -18]

Jan and Hubert van Eyck. The Ghent Altarpiece, c. 1432. 11 ft. 5 in.

Jan and Hubert van Eyck. The Ghent Altarpiece, c. 1432. 11 ft. 5 in. × 15 ft. 1 in. Scala/Art Resource, NY. [Fig. 1 -19]

Jan van Eyck. God. Panel from The Ghent Altarpiece, c. 1432. Scala/Art Resource, NY.

Jan van Eyck. God. Panel from The Ghent Altarpiece, c. 1432. Scala/Art Resource, NY. [Fig. 1 -20]

Jasper Johns. Three Flags. 1958. Encaustic on canvas. 30 -7/8 × 45 -1/2 ×

Jasper Johns. Three Flags. 1958. Encaustic on canvas. 30 -7/8 × 45 -1/2 × 5 in. Whitney Museum of American Art, New York; 50 th Anniversary Gift of the Gilman Foundation, Inc. , The Lauder Foundation, A. Alfred Taubman, Laura-Lee Whittier Woods, and purchase. 80. 32. Art © Jasper Johns/Licensed by VAGA, New York, NY. [Fig. 1 -21]

Faith Ringgold. God Bless America. 1964. Oil on canvas. 31 × 19 in. Faith

Faith Ringgold. God Bless America. 1964. Oil on canvas. 31 × 19 in. Faith Ringgold, © Faith Ringgold © 1963. [Fig. 1 -22]

Dread Scott. What Is the Proper Way to Display a US Flag? . 1988.

Dread Scott. What Is the Proper Way to Display a US Flag? . 1988. Gelatin silver print of installation, U. S. flag, book, pen, shelf, audience. each 20 × 33 in. Courtesy of Dread Scott. [Fig. 1 -23]

Andy Warhol. Race Riot. 1963. Acrylic and silkscreen on canvas, four panels. each 20

Andy Warhol. Race Riot. 1963. Acrylic and silkscreen on canvas, four panels. each 20 x 33 in. © 2012 Andy Warhol Foundation for the Visual Arts, Inc. /Artists Rights Society (ARS), New York. [Fig. 1 -24]