Art in New York Art and Politics Abaixo
Art in New York Art and Politics
Abaixo a Ditadura (Down with the Dictatorship), March of the Hundred Thousand (1968), Rio de Janeiro, 1968.
Funeral of Edson Luis, 1968.
Edson Luis Helio Oiticica, Be Marginal, Be a Hero, 1967
Coup d’etat, Chile, 1973.
Coup d’etat, Chile, 1973.
Desaparecidos, Mothers of Plaza de Mayo, Buenos Aires, 1977.
Brigada Ramona Parra (Mural), Chile, 1972, The Mapocho River Mural, copper mining town, banks of the Mapocho river, Santiago Chile, 1972 (destroyed), ½ mile long.
Tucuman Arde, Workers Central Union, Rosario, 1968.
Tucuman Arde, Workers Central Union, Rosario, 1968.
El Siluetazo, 1983, Argentina.
El Siluetazo, 1983, Argentina. “Consiste en el trazado sencillo de la forma vacía de un cuerpo a escala natural sobre papeles, luego pegados en los muros de la ciudad, como forma de representar la presencia de la ausencia. La de los miles de detenidos desaparecidos durante la última dictadura militar".
Tucuman Arde, Workers Central Union, Rosario, 1968.
Catalina Parra, Diary of Life, 1977.
Eugenio Ditborn, Sin Rastros (No Tracks) 1983.
Eugenio Dittborn, Pieta, 1985.
Roberto Jacoby, Message at di Tella, 1968.
Roberto Jacoby, Eduardo Costa, Raul Escari, First manifesto of Mass-Mediac Art, also known as Happening for un Jabali Defunto (Happening for a dead wild boar), 1966.
Antonio Manuel, Newspapers, 1968.
Antonio Manuel, Flans (Stereotype Molds), 1968.
Antonio Manuel, Soy Loco Por Ti, 1969.
Antonio Manuel, Soy Loco Por Ti, 1969.
Salao da Bussola.
Antonio Manuel, Repression Again: Here is the Balance, 1968.
Antonio Manuel, Repression Again: Here is the Balance, 1968. Andy Warhol, Red race Riot, 1963.
Antonio Manuel, Clandestines, 1973.
Antonio Manuel, The Goat, 1972.
Antonio Manuel, Exhibition from Zero to 24 Hours, 1973.
Antonio Manuel, Hot Ballot Boxes, 1968.
Antonio Manuel, Hot Ballot Boxes, 1968.
Antonio Manuel, The Body is the Work, 1970.
Antonio Manuel, The Body is the Work, 1970.
Antonio Manuel, The Body is the Work, 1970
Antonio Manuel, The Body is the Work, 1970.
Antonio Manuel, The Body is the Work, 1970.
Antonio Manuel, Bodywork, 1970.
Antonio Manuel, Bodywork, 1970.
Gilbert and George, The Singing Sculpture, 1971.
Vito Acconci, Trademarks, 1970.
Vito Acconci, Blindfolded Catching Piece, 1970.
Chris Burden, Shoot, California, November 19, 1971.
Carlos Leppe, Waiting Room, 1980, Video Installation and Performance.
Carlos Leppe, Action of the Star, 1979.
Marcel Duchamp, Tonsure, 1919.
Chilean Flag.
Lotty Rosenfeld, Una Milla de Cruces sobre el Pavimento (A Mile of Crosses on the Pavement), 1984, Videotape, The City, Londres, 1993.
Lotty Rosenfeld, Una Milla de Cruces sobre el Pavimento (A Mile of Crosses on the Pavement), 1984, Videotape.
Lotty Rosenfeld- Una Milla de Cruces sobre el Pavimento (Em frente Palacio la Moneda) (A Mile of Crosses on the Pavement), 1984, Videotape.
Diamela Eltit, from Zone of Pain Series, 1980.
Diamela Eltit, from Zone of Pain Series, 1980.
Diamela Eltit, from Zona de Dolor, (Zone of Pain Series), 1980.
Diamela Eltit, Zonas de dolor III, 1980 Video-performance (3: 09 minutos) La escritora besa a un vagabundo.
Group Cada, Para No Morir de Hambre en el Arte (Not to Die for Hunger in Art), Lotty Rosenfeld/ Juan Castillo/Fernando Barcells/ Raul Zurita/ Diamela Eltit Videotape 1979.
Group Cada, Para No Morir de Hambre en el Arte (Not to Die for Hunger in Art), Lotty Rosenfeld/ Juan Castillo/Fernando Barcells/ Raul Zurita/ Diamela Eltit Videotape 1979.
Group Cada, Para No Morir de Hambre en el Arte (Not to Die for Hunger in Art), Lotty Rosenfeld/ Juan Castillo/Fernando Barcells/ Raul Zurita/ Diamela Eltit Videotape 1979.
Artur Barrio, Situação…ORHHH…ou… 5. 000…T. E…EM. . . N. Y. . . Cit y… 1969 (Situation…ORHHH…or … 5, 000…B. B. . IN…N. Y…City… 1969) (1969)
Artur Barrio, Situação…ORHHH…ou… 5. 000…T. E…E M. . . N. Y. . . City… 1969 (Situation…ORHHH…or … 5, 000…B. B. . IN…N. Y…City… 1969) (1969).
Artur Barrio, Situação…ORHHH…ou… 5. 000…T. E…EM. . . N. Y. . . City… 1969 (Situation…ORHHH…or … 5, 000…B. B. . IN…N. Y…City… 1969) (1969).
Artur Barrio, Situação…ORHHH…ou… 5. 000…T. E…EM. . . N. Y. . . City… 1969 (Situation…ORHHH…or … 5, 000…B. B. . IN…N. Y…City… 1969) (1969)
Artur Barrio, Bloody Bundles, 1970.
Artur Barrio, Bloody Bundles, 1970.
Artur Barrio, Bloody Bundles, 1970.
Artur Barrio, Bloody Bundles, 1970.
Artur Barrio, Bloody Bundles, 1970.
Artur Barrio, Bloody Bundles, 1970.
Artur Barrio, P…H…(1969) (T…P… 1969) (the initials standing for Toilet Paper).
Robert Smithson, Spiral Jetty, 1970.
Cildo Meireles, Tiradentes: Totem-Monument to the Political Prisoner, 1970.
Cildo Meireles, Tiradentes: Totem. Monument to the Political Prisoner, 1970.
Cildo Meireles, Tiradentes: Totem-Monument to the Political Prisoner, 1970.
Cildo Meireles, Tiradentes: Totem-Monument to the Political Prisoner, 1970.
Cildo Meireles, Insertions into Ideological Circuits: Coca-Cola Project, 1970.
Cildo Meireles, Insertions into Ideological Circuits: Coca-Cola Project, 1970.
Cildo Meireles, Insertions into Ideological Circuits: Coca-Cola Project, 1970.
Cildo Meireles, Insertions into Ideological Circuits: Coca-Cola Project, 1970.
Cildo Meireles, Insertions into Ideological Circuits: Banknote Project, 1970.
Cildo Meireles, Insertions into Ideological Circuits: Who Killed Herzog, 1975.
Cildo Meireles, Insertions into Ideological Circuits: Who Killed Herzog, 1975.
Cildo Meireles, Insertions into Ideological Circuits: Who Killed Herzog, 1975.
Cildo Meireles, Insertions into Ideological Circuits, 1975.
Cildo Meireles, The Sermon of the Mount: Let There be Light, 1973 -79.
Cildo Meireles, The Sermon of the Mount: Let There be Light, 1973 -79.
Cildo Meireles, The Sermon of the Mount: Let There be Light, 1973 -79.
Carlos Zilio, Lute Marmita, 1967.
Carlos Zilio, Para um Jovem de Futuro Brilhante, 1973.
Carlos Zilio, Para um Jovem de Futuro Brilhante, 1973.
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