ART HISTORY 2051 Midterm Review Gothic to Mannerism

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ART HISTORY 2051 Midterm Review: Gothic to Mannerism

ART HISTORY 2051 Midterm Review: Gothic to Mannerism

Midterm: Review • Gothic (c. 1300 AD) – principal artists: • Cimabue • Duccio

Midterm: Review • Gothic (c. 1300 AD) – principal artists: • Cimabue • Duccio • Giotto

Midterm: Review • Early Renaissance (c. 1425 -1485) – sculpture • comparison between Donatello

Midterm: Review • Early Renaissance (c. 1425 -1485) – sculpture • comparison between Donatello & Ghiberti • comparison between early & late Donatello

Midterm: Review • Early Renaissance – painting: • Masaccio - c. 1425 • Fra

Midterm: Review • Early Renaissance – painting: • Masaccio - c. 1425 • Fra Angelico - 1450 • Domenico - c. 1450 • Francesca - c. 1450 • Uccello - c. 1450 • Castagno - c. 1450 • Mantegna - c. 1450 • Early Renaissance – painting: (cont. ) • Perugino - c. 1475 • Bellini - c. 1475 • Botticelli - c. 1475 • di Cosimo - c. 1475

Midterm: Review • High Renaissance (c. 1485 -1520) – sculpture • Michelangelo – Donatello

Midterm: Review • High Renaissance (c. 1485 -1520) – sculpture • Michelangelo – Donatello vs. Michelangelo’s David – Classicizing vs. Hellenistic tendencies – Classicizing vs. Mannerist tendencies

Midterm: Review • High Renaissance (c. 1500) – painting: • Leonardo • Michelangelo •

Midterm: Review • High Renaissance (c. 1500) – painting: • Leonardo • Michelangelo • Raphael

Midterm: Review • Venetian Renaissance (c. 1525 -50) – painting: • Giorgione • Titian

Midterm: Review • Venetian Renaissance (c. 1525 -50) – painting: • Giorgione • Titian – themes: » religious » reclining nude (re: Giorgione) » mythological/Humanist – compositions: dynamic – application of paint: painterly

Midterm: Review • Mannerism (c. 1525 -1600) – principal artists: • Fiorentino - c.

Midterm: Review • Mannerism (c. 1525 -1600) – principal artists: • Fiorentino - c. 1525 • Pontormo - c. 1525 • Corregio - c. 1525 • Bronzino - c. 1550 • Tintoretto - c. 1575 • El Greco - c. 1600

IMAGE INDEX • Slide 3: • • Slide 4: Slide 5: Slide 6: Slide

IMAGE INDEX • Slide 3: • • Slide 4: Slide 5: Slide 6: Slide 8: • Slide 9: (Left) CIMABUE’s Madonna Enthroned (c. 1300 AD); and (right) Late Byzantine Madonna Enthroned (late 13 th century AD). DUCCIO. Madonna Enthroned, (c. 1300 AD). GIOTTO. Madonna Enthroned (c. 1300 AD). GIOTTO. The Lamentation (c. 1300 AD). (Left) DONATELLO’s St. Mark (c. 1400); and (right) GHIBERTI’s St. John the Baptist (1400). (Left) DONATELLO’s David (c. 1425); and (right) DONATELLO’s Mary Magdalen (c. 1450).

IMAGE INDEX • Slide 11: • Slide 12: • Slide 13: • Slide 14:

IMAGE INDEX • Slide 11: • Slide 12: • Slide 13: • Slide 14: • Slide 15: • Slide 16: • Slide 17: MASACCIO. The Holy Trinity (c. 1425). MASACCIO. The Tribute Money (c. 1425), in the Brancacci Chapel. MASACCIO. Madonna Enthroned (c. 1425). FRA ANGELICO. Descent from the Cross (c. 1450). DOMENICO. Madonna and Child with Saints (c. 1450). FRANCESCA. The Resurrection (c. 1450). UCCELLO. Battle of San Romano (c. 1450).

IMAGE INDEX • • Slide 18: Slide 19: Slide 20: Slide 21: Slide 22:

IMAGE INDEX • • Slide 18: Slide 19: Slide 20: Slide 21: Slide 22: Slide 23: Slide 25: • Slide 26: CASTAGNO. The Last Supper (c. 1450). MANTEGNA. St. Sebestain (c. 1450). PERUGINO. Delivery of the Keys (c. 1475). BELLINI. St. Francis in Ecstasy (c. 1475). BOTTICELLI. The Birth of Venus (c. 1475). DI COSIMO. Discovery of Honey (c. 1500). (Left) MICHELANGELO’s David (c. 1500); and (right) DONATELLO’s David (c. 1425). (Left) MICHELANGELO’s classicizing styled David (c. 1500); and (right) Hellenistic tendencies in The Rebellious Slave (c. 1515).

IMAGE INDEX • Slide 27: • Slide 29: • Slide 30: • Slide 31:

IMAGE INDEX • Slide 27: • Slide 29: • Slide 30: • Slide 31: • Slide 32: • Slide 33: • Slide 34: (Left) MICHELANGELO’s classicizing tendencies in Pieta (c. 1500); and (right) Mannerist tendencies in Pieta (c. 1550). LEONARDO. The Last Supper (c. 1500). LEONARDO. Mona Lisa (c. 1500). Detail of MICHELANGELO’s Creation of Adam (c. 1500). MICHELANGELO. Fall of Man (c. 1500). MICHELANGELO. The Last Judgment (c. 1535 -40). RAPHAEL. Marriage of the Virgin (c. 1500).

IMAGE INDEX • Slide 35: • Slide 36: • Slide 37: • Slide 39:

IMAGE INDEX • Slide 35: • Slide 36: • Slide 37: • Slide 39: • Slide 40: • Slide 41: • Slide 42: RAPHAEL. Madonna of the Meadow (c. 1500). RAPHAEL. The School of Athens (c. 1500). RAPHAEL. Transfiguration of Christ (c. 1520). GIORGIONE. Sleeping Venus (c. 1500), TITIAN. Assumption of the Virgin (c. 1525). TITIAN. Madonna of the House of Pesaro (c. 1525). TITIAN. Bacchanal (c. 1525).

IMAGE INDEX • Slide 43: • Slide 44: • Slide 45: • Slide 47:

IMAGE INDEX • Slide 43: • Slide 44: • Slide 45: • Slide 47: • Slide 48: • Slide 49: TITIAN. The Venus of Urbino (c. 1550). TITIAN. Pope Paul III and His Grandsons (c. 1550). TITIAN. Christ Crowned with Thorns (c. 1575). (Left) FIORENTINO’s Descent from the Cross (c. 1525); and (right) PONTORMO’s Descent from the Cross (c. 1525). CORREGGIO. Assumption of the Virgin (c. 1525). PARMIGIANINO. Madonna with the Long Neck (c. 1525).

IMAGE INDEX • Slide 50: • Slide 51: • Slide 52: • Slide 53:

IMAGE INDEX • Slide 50: • Slide 51: • Slide 52: • Slide 53: (Left) TINTORETTO’s Last Supper (c. 1600); and (right) LEONARDO’s Last Supper (c. 1500). EL GRECO. Burial of Count Orgaz (c. 1600). (Left) TITIAN’s Man with Gloves (c. 1525); and EL GRECO’s Portrait of a Cardinal (c. 1600). EL GRECO. View of Toledo (c. 1600).

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