Antonio Canova a Practitioner of Neoclassicism and Napoleons

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Antonio Canova: a Practitioner of Neoclassicism and Napoleon’s Favorite Sculptor Canova specialized in two

Antonio Canova: a Practitioner of Neoclassicism and Napoleon’s Favorite Sculptor Canova specialized in two types of work: grand public monuments for Europe’s leaders and erotic, mythological subjects such as Cupid and Psyche, for the pleasure of private collectors (Stokstad, 952 -953).

Antonio Canova Cupid and Psyche 1787 -1793 marble Was this sculpture created for a

Antonio Canova Cupid and Psyche 1787 -1793 marble Was this sculpture created for a public or private setting? How can you tell? Connect it to: Donatello David (front view) c. 1430 bronze

Antonio Canova Cupid and Psyche 1787 -1793 marble

Antonio Canova Cupid and Psyche 1787 -1793 marble

Antonio Canova Napoleon as Mars the Peacemaker 1803 -06 marble, height 326 cm Wellington

Antonio Canova Napoleon as Mars the Peacemaker 1803 -06 marble, height 326 cm Wellington Museum Apsley House, London Was this sculpture created for a public or private setting?

Antonio Canova Perseus with the Head of Medusa 1804 -1806 marble Metropolitan Museum of

Antonio Canova Perseus with the Head of Medusa 1804 -1806 marble Metropolitan Museum of Art, New York

Antonio Canova Perseus with the Head of Medusa Caravaggio Head of Medusa 1598 -1599

Antonio Canova Perseus with the Head of Medusa Caravaggio Head of Medusa 1598 -1599

Antonio Canova Theseus and the Centaur 1804 -19 Marble, height 340 cm Kunsthistorisches Museum,

Antonio Canova Theseus and the Centaur 1804 -19 Marble, height 340 cm Kunsthistorisches Museum, Vienna Was this sculpture created for a public or private setting?

Centaur and Lapith The Parthenon, metope relief c. 440’s BCE This sculpture from the

Centaur and Lapith The Parthenon, metope relief c. 440’s BCE This sculpture from the Parthenon shows a Centaur rearing triumphantly over a dying human Lapith.

Paulina Borghese as Venus Victrix 1804 -08 white marble

Paulina Borghese as Venus Victrix 1804 -08 white marble

detail: Pauline Borghese as Venus 1804 -08 white marble Not a shy woman, Napoleon's

detail: Pauline Borghese as Venus 1804 -08 white marble Not a shy woman, Napoleon's sister commissioned this sculpture of herself. She demanded to be represented as the goddess of love. Her husband, Prince Borghese, was the work’s official patron; he kept this sculpture hidden away in their villa in Rome. People were allowed to look at it only by torchlight (see Gardner, 853 -854). This sculpture added to Pauline’s already fairly notorious reputation. The fact that everyone knew about the sculpture and few had seen it, only added to the sculpture’s fame. This is a work that represents an idealized vision of the female form, but Canova has also labored hard to represent the accompanying details of the couch and pillows with extraordinary naturalism.