1941 Mother and Child 1941 The wretched of

1941 , אם וילד Mother and Child. 1941. The wretched of the earth.

1941 , תאונה במחצבה The Accident. 1941. The artist’s depiction of an industrial mining catastrophe. Rich in minerals and metals, Ecuador’s miners were subjected to exploitation and poor working conditions for much of the 20 th century.

Rosa Zárate, Decapitated Flower. -1987. Latin America’s first call for independence from Spain was made in Quito, Ecuador, on August 10, 1809. Rosa Zárate and her husband Nicolás de la Peña were fighters in the independence movement, and when it was repressed in 1812 the two fled to Colombia. The Spanish eventually captured and executed them in 1813, cutting off their heads and sending them back to Quito where they were displayed to intimidate the population. Ecuador won its independence in 1822, and Zárate was remembered as a national hero. , This painting is part of the "Image of the Mother Country" mural that hangs in the Ecuadoran Congress.

נגן הגיטרה 1966 - הכנר El Guitarrista

Atahualpa Yupanqui Mercedes Sosa

Pablo Neruda described Guayasamín as "One of the last crusaders of imaginativeness. His heart is full of creatures, earthly pain, oppressed people, tortures and signs. He expresses his all and everything into painting. Fashions pass through his head like flimsy clouds. He has no fear of them". As Guayasamín rests in peace, he will be remembered for all this and more - for his political beliefs, his creativity, his courage and his dedication. While Ecuador is being torn apart, his art will unite us for one thing - to mourn his passing. Pablo Neruda

הזעקה El grito

"Serie los condenados de la Tierra" " "סידרת נידוני העולם 1967 -1969

" " נידוני העולם Los Condenados de la Tierra

אייכמן -Eichman 1963 -65

“I have used a powerful weapon, the plastic, to denounce and protest the bad behavior of ‘man against man. ’ I speak the truth of my time, without the picturesque or the anecdotal. I don’t look for beauty - but for truth. I use the body of humanity to show the present and historical reality, without academic euphemisms; this humanity – tortured by injustice, misery and horror, is present in The Wretched of the Earth by Franz Fanon. ” (Pinochet, (1978

הנשיא -El presidente

Serie Mujeres llorando נשים בוכיות

The Age of the Wrath. Oswaldo Guayasamin Hands "the Age of Wrath" between 1961 and 1990, composed by 150 pictures of great format, within that series are collections around same a thematic one, like "the Hands" (12 oils), "Women Crying" (7 oils), "the Delay" (11 oils), "the Mutilated ones" (6 oils), "Meeting in the Pentagon" (5 oils), "Rivers of Blood" (3 oils). It denounces the violence of the man against the man in this century. 1963 דיוקן עצמי

THE HANDS OF PROTEST In the Period of Anger one of the most important collections is the series of The Hands and within it the hands of protest is a vitally important because it summarizes the attitude of human beings towards injustice from which everyone has insatiable hands and most of humanity who do not have anything have hands of a beggar. After passing hands of prayer, of fear, etc. to the unjustly ignored society the only thing that remains is protest. ידי המחאה Las manos de la protesta

ידי הטרור Las manos del terror

Equivocos de la Fama

1968– 69 -Waiting

La espera (Waiting) Triptych, 1968 -1969

Another impressive oil painting was the monolithic, Reunión en el Pentágono I-V (Meeting at the Pentagon I-V). The five panels created in 1970 offer psychological portraits of fictitious U. S. military chiefs conspiring behind closed doors. "Reunión en el Pentágono I-V” I-V מפגש בפנטגון

Reunion en El Pentagono III and IV Oswaldo Guayasamín’s great triumph is his disturbing Edad de la Ira series, where massive canvases tower over you with repetitive images of giant clenched hands, faces screaming in agony, skeletal figures that look utterly defeated and bodies in positions of torture. The Reunion en El Pentegono 1970 is a set of five large canvases, with III and IV shown here.

The history of U. S. military intervention in Latin America is so extensive that one could devote an entire lifetime to its study. U. S. military invasions and occupations in the hemisphere pre-dated the existence and influence of the Soviet Union, often cited as the reason for the U. S. engineered coups and assassinations that took place in the 20 th century. "Reunión en el Pentágono I-V “

"Tears of Blood: Homage to Salvador Allende, Victor Jara*, and Pablo Neruda" 1973. *One of those arrested was Victor Jara, the famous Chilean folk singer and supporter of the deposed socialist government. He was taken by the army to Chile Stadium in Santiago, then being used as a torture and detention camp for thousands of prisoners. Once they realized the celebrated singer was in their custody, soldiers began to savagely torture Jara. Troops broke both of his wrists and crushed the bones in both of his hands with rifle butts before machine-gunning him.

“I have used a powerful weapon, the plastic, to denounce and protest the bad behavior of ‘man against man. ’ I speak the truth of my time, without the picturesque or the anecdotal. I don’t look for beauty - but for truth. I use the body of humanity to show the present and historical reality, without academic euphemisms; this humanity – tortured by injustice, misery and horror, is present in The Wretched of the Earth by Franz Fanon. ”

. "המעונים Los Torturados. Three years later Guayasamín would dedicate Los Torturados to the spirit of Victor Jara. In 2004 a new democratically elected government honored the memory of the slain singer by renaming Chile Stadium, The Victor Jara Stadium. In 2008 a Chilean government investigation and autopsy confirmed that Jara had been tortured and shot 44 times. Finally, in May 2009, a former low ranking army conscript was charged with the murder of Jara.

Mural: Miseria Misery

הזעקה El grito

עידן הזעם La Edad de la Ira

מות הצ'ה La Muerte del Che, 1978

מות הצ'ה La muerte del Ché" I y II – 1978 "

Napalm" -1976. I would like to remark on a number of paintings presented in the exhibit, for example, the oil painting titled Napalm. It condemned the incendiary weapon made infamous by its massive use in Vietnam by the U. S. military. Guayasamín’s terrifying canvas looks as if it were made from scorched flesh and coagulated blood. Painted in 1976, the canvas surely alluded to Kim Phúc, the little Vietnamese girl who was severely burned in a napalm attack that took place in 1972. But Guayasamín was also undoubtedly thinking of how napalm had been used in Latin America as well. In 1965 the Peruvian army bombed guerrilla fighters at Mesa Pelada with U. S. supplied napalm, and in 1968 the Mexican government used the U. S. furnished jellied gasoline against guerrilla groups operating in the southern coastal state of Guerrero.

Quito GREEN QUITO Guayasamin loved his country and especially his city. Therefore, he painted it in all colors: black, red, white and green. The first is Green Quito which he painted in 1948. The group of mountains surrounding or wrapping around the city are very important, especially Pichincha which for Guayasamin was like a live animal that changed colors in winter or simmer at dawn and at noon or at dusk. Its inhabitants live at the rhythm of the colors of this volcano and its steep streets climbing up the hills characterize the city declared the first city together with Krakow as Humanity’s Cultural Heritage by UNESCO.

: לצפייה במצגת ההמשך על גואיאסמין http: //www. claritaefraim. com/Uploaded. Files/Oswaldo%20 Guayasami n%20 II%20 Hebrew-English. pps קלריטה ואפרים : הנכם מוזמנים להיכנס לאתר שלנו www. clarita-efraim. com נשמח לתגובות 2012

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